Very Necessary, an album by Salt-N-Pepa on Spotify. Our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Salt-N-Pepa - Very Necessary - Amazon.com Music. Skip to main content. Try Prime CDs & Vinyl Go Search EN Hello, Sign in Account & Lists Sign in Account & Lists Orders Try Prime Cart. Best Sellers Gift Ideas New Releases Whole Foods Today's Deals AmazonBasics Coupons Gift Cards Customer Service Free Shipping Shopper Toolkit Registry Sell.
Exhibited a lot of growth on (1990), their third album and, by far, best to date. For their follow-up, released a long three and a half years later, in 1993, the ladies delivered a fairly similar album. Like its predecessor, boasts a pair of major hits ('Whatta Man,' 'Shoop') and a lot of fine album tracks. Also like, is filled with strong, prideful rhetoric: femininity, sex, relationships, romance, respect, love -- these are the key topics, and they're a world apart from those of the gangsta rap that was so popular circa 1993. And as always, the productions are dance-oriented, with a contemporary R&B edge. Most tracks were produced by, though is credited on a few, chief among them 'Shoop.'
Listen to songs from the album Very Necessary, including 'Groove Me', 'No One Does It Better', 'Somebody's Gettin' on My Nerves', and many more. Buy the album for $7.99. CD - Salt n Pepa - Very Necessary in Music, CDs & DVDs eBay!
Is just as impressive as, if not more so. The key difference is, was a striking leap forward for, who were somewhat of a novelty act up to that point, whereas is a consolidation of everything that had worked so well for the duo previously. Hence the lack of surprises here. Still, the raised expectations don't change the fact that is one of the standout -- and, for sure, one of the most refreshingly unique -- rap albums of its era.
In 1990, walked onto the Hollywood set of “The Arsenio Hall Show” ready to spread awareness about HIV and AIDS. The men in the audience were fervently doing the signature Hall bark well beyond the call of the show. The Queens trio—Cheryl “Salt” James, Sandy “Pepa” Denton and Deidra “Spinderella” Roper—were there to promote their spot in a fundraising traveling tour of Heart Strings, a new musical about AIDS and HIV featuring and Magic Johnson, where they would perform their PSA-rework of “Let’s Talk About Sex” titled, Maintaining its message that if you’re having sex, you have to talk about “all the good things, all the bad things,” the alternate version fine-tuned the song so that its focus on sexual health was more explicit. But it was hard to tell who in the audience was there to hear Salt-N-Pepa and who was just there to look.
“We’ve talked about the image of female rappers in the past,” said Hall. “Your image is a lot more lady-like. Do you think that’s the reason for these guys?” A clearly frustrated Salt responded, “We’ve gotten a lot of flack about that.” She looked exasperated. “I’ve heard people say we’ve gotten over on our looks. First of all, I ain’t know I look that good.
To get over for six years on your looks? The Professional Kitchen Manager Pdf Viewer here. We’ve been around for awhile and if it’s just looks, then that’s messed up.” If their fan base included dudes who just had crushes, they only made up a sliver.
The rest were there because S-N-P were spearheading a movement toward take-no-shit femininity that didn’t require them to dress like B-boys. “We’re not soft, we’re not hard,” Spinderella explained it to Arsenio. Salt lifted her Docs over his coffee table and told him their style was all lipstick and combat boots.
So much of the first decade of Salt-N-Pepa forged a path for women to follow for the next twenty years, both in rap and pop music, as well with social and sexual mores. The whole map of their conquest is laid out on their 1993 album Very Necessary. The confidence of “Push It”—which Pepa has insisted is about dancing, not about sex—and the emotional intelligence of “Let’s Talk About Sex” are present, but the womanly conviction here is far more plentiful than it had been in their music before. It was a palliative to the hyper-misogyny spewing from their male contemporaries. If and friends were going to harangue hoes, then in Salt-N-Pepa’s world, words like “hoe” and “hooker” were just as applicable to men.
They maintained their themes of sexuality and empowerment—and were in good company with ’s “U.N.I.T.Y.” and ’s “Ain’t Too Proud to Beg”—but it got a new look. Whether in combat boots or pum pum shorts, their message was still clear: women need to have agency over their sexuality and, if she’s safe, she can express it however the hell she wants.
The album’s lead single “Shoop,” in particular, is unintentionally prescient about the contemporary inverted misogyny so many feminists engage in now, in jest or otherwise. In the video, Pepa tells Salt and Spin about her weakness—“men!” they chant in unison—while she scours guys on Coney Island playing dice. Acura Navigation Dvd Free Download. It is reverse catcalling, a playful way of leveling the field of objectification. In a 1995 conversation with Mary Wilson of for Interview, Salt conceded that the perception of the group changed once they started talking more frequently about their own sexuality instead forecasting what goes on behind other people’s closed doors. “When we get raw and sexy some people say, ‘Why do you have to go there?’ I feel like, as long as you’re letting the world know that you're intelligent and you're to be respected and you have a mind of your own and you're taking care of business, ain’t nothing wrong with showing off what you got, especially when you work out almost every day to get it.